Post by account_disabled on Feb 28, 2024 10:35:25 GMT
The perspective this is an example of perfect cooperation with the brand? Of this type?KG Ideal is a very strong word, but it is definitely the model we would like to strive for. CL On the one hand, you have a budget for the creator, and on the other hand, you have a production budget, right?KG Exactly. Although, of course, we also like to do bigger things. So it's not just me with the camera, but also working with larger teams in several cities at the same time. For example, we recently did a project for the Opera browser in which we shot in Beijing, Oslo and Wroclaw within a week.
This was partly due to the fact that we have an office in Japan, which is a bit closer to BeijingCL I think you also helped Polsat with their series? KG Yes, yes. We co-produced the series "Better Late than Never". In Japan and South Korea. CL You recently Chinese Europe Phone Number List touched on an important topic for many creators - I mean the aspect of valuing your work. You refer many times in your vlogs to the fact that this is a key area in moving to the next levels of development of your work. KG The way I think it should be done is very heroic.
You have to know what the industry standards are from somewhere, which may not be easy for beginners to find out. CL What are these industry standards? KG Tell me the range and tell me what the channel does, then I can more or less intuitively tell you how much it should charge for what. Plus minus, of course. CL Tell me one more thing, what is your reach as a collective? How do you communicate to the market your reach, the number of creators, the specificity and the thematic niche in which you are strong? KG We have six creators and eight.
This was partly due to the fact that we have an office in Japan, which is a bit closer to BeijingCL I think you also helped Polsat with their series? KG Yes, yes. We co-produced the series "Better Late than Never". In Japan and South Korea. CL You recently Chinese Europe Phone Number List touched on an important topic for many creators - I mean the aspect of valuing your work. You refer many times in your vlogs to the fact that this is a key area in moving to the next levels of development of your work. KG The way I think it should be done is very heroic.
You have to know what the industry standards are from somewhere, which may not be easy for beginners to find out. CL What are these industry standards? KG Tell me the range and tell me what the channel does, then I can more or less intuitively tell you how much it should charge for what. Plus minus, of course. CL Tell me one more thing, what is your reach as a collective? How do you communicate to the market your reach, the number of creators, the specificity and the thematic niche in which you are strong? KG We have six creators and eight.